On Stage: Anastasia
Anastasia, inspired by the beloved films,transports us from the twilight of the Russian Empire to the euphoria of Paris in the 1920s, as a brave young woman sets out to discover the mystery of her past. Pursued by a ruthless Soviet officer determined to silence her, Anya enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family.
With its opulent settings, dazzling costumes, and a soaring score including the song favorites from the hit animated film, “Journey to the Past” and “Once Upon a December,” Anastasia is the spectacular new musical about discovering who you are and defining who you’re meant to be.
Coming Soon: Frankie and Johnny at the Clair de Lune
FRANKIE AND JOHNNY AT THE CLAIR DE LUNE
In this new Broadway production of Frankie and Johnny in the Clair de Lune, Audra McDonald and Michael Shannon, two of the most acclaimed actors of their generation, will bring the bruised dreamers of Terrence McNally’s classic romance to new life.
In the play, a lonely waitress and a short order cook's first date turns into a one-night stand—maybe more.
Audra McDonald (“there’s nothing the superhuman Ms. McDonald can’t do onstage” – Hollywood Reporter) last appeared on Broadway in the musicals Shuffle Along, Or, The Making of the Musical Sensation of 1921 and All That Followed and Lady Day at Emerson’s Bar & Grill — the role that also served as the vehicle for her record-breaking sixth Tony Award and 2017 debut on London’s West End (2018 Olivier Award nomination). Recently seen in the Academy Award-winning The Shape of Water, Michael Shannon (“a remarkable actor of force and strength” – Chicago Tribune) returns to Broadway after his Tony-nominated performance opposite Jessica Lange and Gabriel Byrne in A Long Day’s Journey into Night.
Four-time Tony Award winner Terrence McNally (“one of the greatest contemporary playwrights” – New York Observer) is currently represented on Broadway by his book for the hit musical Anastasia. And director Arin Arbus (“exemplary… a star in the making” – The New York Times) will make her Broadway debut with this production. For a decade, she served as the Associate Artistic Director of Theater for a New Audience, where she most recently staged The Winter’s Tale to great acclaim.
Originally produced more than 30 years ago Off-Broadway, Frankie and Johnny in the Clair de Lune is one of McNally’s most acclaimed plays and will appear on Broadway as the playwright celebrates his 80th birthday. The play was a runaway hit from 1987 to 1989, returned to Broadway in a highly praised production in 2002 and was also turned into a feature film.
Frankie and Johnny in the Clair de Lune Show Tickets | Frankie and Johnny in the Clair de Lune Show Schedule
George H. Broadhurst, the Anglo-American manager and playwright (1866-1952), built his eponymous theatre in association with the Shubert brothers. Broadhurst had previously managed theatres in Milwaukee, Baltimore, and San Francisco (and written many popular plays). The playhouse has remained one of the Shubert Organization’s most consistently booked theatres.
Mirror images of each other, the Broadhurst and the neighboring Plymouth Theatre, which opened within two weeks of each other, were the brainchild of architect Herbert J. Krapp, and were his first independent commissions. While the two playhouses are nearly identical on the outside, the Broadhurst's interior employs Doric columns, and Greek-style cornices and friezes. Its spare exterior is decorated with brickwork, enhanced by touches of stone and terra-cotta trim.
Theatre is not completely wheelchair accessible. There are no steps into the theatre from the sidewalk. Please be advised that where there are steps either into or within the theatre, we are unable to provide assistance.
Shubert Audience Services
The Broadhurst Theatre provides at least 10 infrared assistive listening devices for every performance at the theatre. Beginning 4 weeks after a show’s official opening night performance, at least 10 audio description devices are available for every performance at the theatre. In addition, there is unlimited access to downloadable audio description software for personal mobile devices, available beginning 4 weeks after a show’s official opening night performance, which provides an automated detailed account of the visual of the production, free of charge, for blind or partially sighted patrons. The theatre also offers hand-held devices and software that provide captioning for deaf or hard of hearing patrons, available beginning 4 weeks after a show’s official opening night performance. Additional devices can be available with at least 24 hours’ notice by contacting Shubert Audience Services at 212-944-3700 or email@example.com. There is also a representative at the Shubert Audience Services kiosk at every performance to assist any patron with the audio description devices, software, or captioning devices.
Accessibility by Seating Section
Orchestra Location: Seating is accessible to all parts of the Orchestra without steps. There are no steps to the designated wheelchair seating location.
Mezzanine Location: Located on the Second Level, up 1 flight of steps. Please Note: On the Mezzanine Level, there are approximately 2 steps down per row. Entrance to the Mezzanine is behind row L.
Handrails: Available at the end of every stepped seat row in the Mezzanine.
Located in lobby. Accessible at 54", with TTY utility outlet.
Wheelchair accessible (unisex) restroom is located on the main level.
Located in the Rear Orchestra. Accessible at 36".
The use of cameras, recording devices, cell phones, beepers, and other electronic devices during the performance is prohibited. Everyone attending a performance must have a ticket. Latecomers will be seated at the discretion of management. Wheelchair and mobility-impaired seating is intended for patrons with mobility disabilities, unless medically necessary. Children under the age of four years will not be admitted. No outside food or beverage permitted. No weapons permitted on the premises.